The blog states using a plugin LUT Utility for applying LUTs to log footage. My NLE of choice is Final Cut Pro X and there is a problem with mentioned process in the blog post. Since I’m shooting S-LOG2 on Sony FS700 and in Film mode on Blackmagic Design Pocket Camera I deal with a lot of log footage. Resize, move, rotate, or reposition the graphics file or individual layers using the Transform built-in effect.Ĭrop the file using the Crop built-in effect.There is a great blog post on Abelcine about applying LUTs to log footage in various applications. Select the file and choose Window > Go To > Inspector.Ĭlick the Video button at the top of the inspector.ĭo any of the following to resize the file:Ĭonform the frame size of the file to match the project's frame size settings using the Spatial Conform options (Fit, Fill, or None). Final Cut Pro supports durations of up to 24 hours. The timecode entry field appears in the Dashboard. The file opens in its own Timeline showing the individual layers.Ĭhoose Edit > Select All to select all layers.Ĭhoose Modify > Change Duration. To change the duration of a layered graphics file:Ĭontrol-click the layered graphics file and choose Open Clip from the menu. You can change the duration of the file in the Browser, so the file maintains that length when used in other libraries or projects. Scroll in the inspector to view the Color profile metadata field.Ĭhange the duration of a layered graphics fileīy default, Final Cut Pro sets the duration of a layered graphics file to one minute. To view the embedded color profile of a file in Final Cut Pro:Ĭlick the Info button at the top of the inspector.Ĭhoose Extended from the Metadata pop-up menu. Embedded color profilesįinal Cut Pro recognizes the embedded color profile of a layered graphics file, if the file was saved with one. You can enable and disable a layer in Final Cut Pro by selecting the layer in the Timeline and pressing the V key. If a file includes visible and hidden layers, they are enabled and disabled accordingly when added to the Timeline of your project. If the file includes blend modes, for best results use blend modes in Photoshop that have equivalent Final Cut Pro blend modes. ![]() This allows you to make further changes to the adjustment layers if necessary. You can save a copy of the file with adjustments layers flattened for use in Final Cut Pro, and also keep a master version of the file with the adjustment layers intact. Photoshop adjustment layersįlatten any Photoshop adjustment layers prior to importing the file into Final Cut Pro. Photoshop, for example, has presets for common video and film pixel dimensions. Create the file in 8-bit RGB mode to maintain the file's layers in your project.Ī file created in 32-bit Color mode will not import.Ī file in a color mode such as CMYK Color, Lab Color, or Bitmap will not import.Ĭreate the file at a frame size compatible with the television or film pixel dimensions used in the Final Cut Pro project. Layers in a file created in 16-bit Color mode import flattened. ![]() ![]() If you try to import a file with a different Color mode into your Final Cut Pro project: Color modeĬreate the file in 8-bit RGB Color mode. Follow these guidelines when creating the file to get the best results. You can create a layered graphics file for use in Final Cut Pro in an application such as Adobe Photoshop. This article explains how to create the file to get the best results for use in your project, and how to change the duration of the file and resize it once it's in your project. ![]() In Final Cut Pro, you can add a layered graphics file such as an Adobe Photoshop (PSD) file to your Final Cut Pro project, and then edit it as a connected clip in the Timeline. Learn how to get the best results when using layered graphics files in your Final Cut Pro project on your Mac. Use layered graphics files in Final Cut Pro
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